Issue Two, Spring 2017

Image by Emils Gedrovics

 

Letter to a Young Poet, by Kathleen Jamie

 


Poetry

Andrew McMillan
 ‘intimates’

Mary Jean Chan
 ‘What My Diary Might Look Like’
 ‘On Losing Face So the Body Comes Back’

Jo Young
 ‘Extra Detail from Kandahar International’

Sophie Robinson
 ‘black cherry’
 ‘cancer, leo rising’
 ‘nothing nothing’

James Giddings
 ‘Crows’

Wang Wei
Translated by Garry Mackenzie
 ‘Darkening Hills’
 ‘The path up the hill’
 ‘White hairs’

Martha Sprackland
 ‘Twilight Sleep’
 ‘Cherry Bomb’

Tom Weir
 ‘The Book of British Birds’
 ‘Vocabulary’

Adrianna Smith
 ‘Elm Flats, New York’

Rebecca Perry
 ‘beaches (7)’
 ‘beaches (10)’
 ‘beaches (14)’

Seán Hewitt
 ‘Tawny Owl in Fog’
 ‘doxology (at the foot of a holly tree)’

Michael Grieve
 ‘Lacewing’

Blake Morrison
 ‘Appointment’
 ‘Nails’

Rachel Piercey
 ‘Spring Cleaning’
 ‘The Sea of Marriageability’

Beth McDonough
 ‘Marmalade’

Ursula Andkjær Olsen
Translated by Katrine Øgaard Jensen
 ’10’
 ’13’
 ’14’
 ’15’
 ’16’
 ’17’
 ’18’
 ’19’
 ’20’

Aoife Lyall
 ‘Ladies Walk, Inverness’

Laura Scott
 ‘Breaking Things’
 ‘The Lesson’

Devon Walker-Figueroa
 ‘Gray Diggers’
 ‘(Our Burning Is a Glow We Can’t Perceive)’

Sam Riviere
 ‘Against Interpretation’


Image by Anna O’Connor

Prose

Nora Chassler
 ‘Stealth’
 ‘The Death of Nature’
 ‘A Change in the Memes of Production’
 ‘My Lovely Lady Humps’
 ‘Leaves’

Indigo Baloch
 ‘Sibiu’

Jake Rosati
 ‘All Of It’


Image by Miranda Stuart

Reviews

Sean Robinson
on Jackself, by Jacob Polley

Alexa Winik
on Float, by Anne Carson

Rick de Villiers
on The Sellout, by Paul Beatty

Sean Robinson
on Falling Awake, by Alice Oswald

Francesca Bratton
on Rockadoon Shore, by Rory Gleeson

Meghan Maguire Dahn
on Four Reincarnations, by Max Ritvo

Suzannah V. Evans
on Void Studies, by Rachael Boast

 


Acknowledgements & Thanks

The Editors

ISSN 2398-9300


Image by Joseph Birdsey